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《再见,小红帽![电影解说]》剧情简介

  Also known as Red Riding Hood, Year 2000, this Hungarian/Canadian co-production is not for children. Director Marta Meszaros again dwells upon the travails of women trapped in oppressive society. This time, the Red Riding Hood legend is used metaphorically within the framework of a quasi-futuristic storyline. The "wolves" are of the human variety, and "friendly hunters" few and far between.  This is a weird and sometimes disturbing take-off on the beloved fairy tale. In this one, the main girl is far more whiny and petulant. She has a boyfriend (who is somehow able to come and go into the forest from the city with no visible means of transport) and she is able to communicate telepathically with the wolf. There is a sub-plot about the girl's divorced parents which doesn't really make sense and the film features a very odd development towards the end. The forest scenery is gorgeous and the film is professionally made but it's hard to tell if this was made for kids or not as it contains so many odd and questionable elements. It's definitely not the story that most people grew up with.…

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《再见,小红帽![电影解说]》相关评论

Maggie_in_LA

方言运用锦上添花,地域特色为故事注入灵魂。

PlotTwist菌

伪纪录片形式新颖,真实感营造功亏一篑

MorganMaximoff 

社会寓言深刻,每个荒诞情节都在刺痛现实。

超现实爆米花

再见,小红帽![电影解说]的暴雨倒灌场景,暗合鲍曼的液态恐惧理论。半地下室涌出的黑水,实为韩国新自由主义社会分层的流体力学模型。

导演评论成瘾

而他以往的作品例如再见,小红帽![电影解说]再见,小红帽![电影解说] ,大部分因为是 R 级没能得到太多关注。
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