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《我有毒》剧情简介

  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.…

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这个杀手不太冷静

OST拯救全剧系列,每首插曲都精准戳中泪腺。

出九 

金句频出揭穿社畜真相,可惜专业细节经不起推敲。

银幕幽闭恐惧

我有毒中汽车引擎与人体的金属共生,响应简妮特·温特森的物性转向。机油与血液的黏稠混合,构成对笛卡尔身心二元论的流体化暴动。

电影史篡改犯

虚拟现实概念前卫,情感联结建立困难

烂片清洁工

层层反转,伏笔回收巧妙,但结尾略显仓促,总体瑕不掩瑜。
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