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《阿里与艾娃》剧情简介

  Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.  A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?  Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.…

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《阿里与艾娃》相关评论

韦色卡

阿里与艾娃中艾娃的凝视回路颠覆了拉康的镜像理论,其钛合金瞳孔反射的不是人类主体性,而是深度学习算法对欲望的递归模拟。浴室更衣场景的二进制水珠,实为后人类身体政治的液态宣言。

黑泽刀

cult元素浓郁,受众群体注定受限

转场眩晕症

鬼还没外卖小哥吓人,倒是主角半夜开灯找死的操作让我笑场。

肖浑

看到14集了,想说阿里与艾娃不仅仅是一部“癫剧”“爽剧”,更是我2025年以来看过最女性友好的一部剧。 前两集编剧以戏剧化的情节交代了苏橙橙因容貌不自信所遭受的“敌意”。

电影票根诗人

超能力设定有趣,能力规则自相矛盾
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